FACTOIDS & TRIVIA

The Kay Company of Chicago, Illinois was one of the largest manufacturers of guitars in the U.S. until the late 1960s. They sold guitars under the Kay name, as well as house brand names such as Airline (Montgomery Wards), Custom Kraft (St. Louis Music), and Silvertone (Sears Roebuck). Kays are generally considered budget instruments, but they did make excellent upright bass viols and their top-of-the-line guitars are well regarded. As one Kay executive put it, "Harmony made the Fords, Kay made the Buicks, and Gibson made the Cadillacs." Kay's top-of-the-line electric archtops were the Barney Kessel signature models that Kessel endorsed for several years in the late 1950s. Kay dropped its topshelf, full depth, spruce top jazz guitars in 1960 after Kessel left to endorse Gibson. The remaining jazz models included the newly introduced, Jazz II which used the same pickups as the Barney Kessel signature model and, like the Kessel model, had flame maple back and sides. However, with a bolt-on neck, shallow body, and laminated construction, the Jazz II was not in the same league as the Kay jazz guitars from the 1950s.
 

 Body:  Thinline hollow; laminated 1-piece flame maple top and back, laminated flame maple sides, double bound top, single bound back

 Finish:  Amber Sunburst, nitrocellulose lacquer

 Neck:  1-piece maple, bolt-on; black plastic headstock overlay with metal name plate

 Fingerboard:  Brazilian rosewood, bound; pearloid "shark fin" markers

 Number of Frets:  19

 Pickguard:  Acrylic

 Bridge:  Bigsby aluminum on aluminum base with Bigsby B-6 tailpiece

 Nut:  Bone

 Tuners:  Grover Rotomatic, nickel

 Pickups:  Two, Kay Gold K single coil with adjustable pole pieces

 Controls:  Tone and volume controls for each pickup, 3-way pickup selector

 Scale Length:  25 1/2 inches

 Neck Width at Nut:  1 5/8 inches

 Body Width at Lower Bout:  15 1/8 inches

 Body Depth:  2 inches

 Weight:  n/a

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